Monday, December 5, 2011

[OOC] Wolves of Genesis

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User avatar
nightstar_
Member for 1 years



Can I make a wolf that helps Cara track/fight Shayde? (already made the character... If you don't like it I could change it)

The night is my father, the moon is my mother, the shadows are my only
friends. I am the reason people fear the night. I am the reason children
ask their parents to check under the bed and in the closet. I am fear,
I am death, I am a wolf.

User avatar
BlueWind_22
Member for 0 years



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George Clooney's Satellites Build a Case Against an Alleged War Criminal (Time.com)

The International Criminal Court is compiling evidence of possible recent war crimes in southern Sudan, allegedly directed by the same man, Sudanese Defense Minister Abdelrahim Mohamed Hussein, who a prosecutor at the court wants to apprehend for alleged crimes eight years ago in Darfur. An internal ICC memo outlines the Darfur crimes, and says Hussein is "currently central to the commission of similar crimes" now along the border between the north and south, including the killings of thousands of civilians.

The ICC documents obtained by TIME show a significant portion of this new investigation is based on data from the Satellite Sentinel Project, a network of private spy satellites and analysts organized by George Clooney in partnership with John Prendergast's Enough Project. The satellites have been snapping pictures of southern Sudan since December of last year. "We are the antigenocide paparazzi," Clooney told TIME then. (Photos: George Clooney in Sudan.)

The new investigation comes just as ICC prosecutor, Luis Moreno-Ocampo, requested an arrest warrant for Hussein with respect to war crimes allegedly committed in Darfur from August 2003 to March 2004. Hussein allegedly engaged in war crimes by dispatching troops and militias to that far-western region that indiscriminately killed tens of thousands of civilians in an effort to suppress rebellion in the region against the regime in Khartoum.

The documents obtained by TIME show the ICC is separately building a case that Hussein may be behind the killing of civilians over the past year in Kordofan, Nuba Mountain, Blue Nile State and South Sudan. The North is seeking to secure control over those oil-rich regions in the central area of the country along the border between the north and south.

The internal ICC investigation division memo says evidence suggests that military forces from North Sudan and their affiliated militias have committed "grave crimes." It adds that military forces under Hussein's command are conducting military operations in these areas and, just like in Darfur, utilizing proxy militias to carry out atrocities. The memo cites the deaths of at least 2,000 civilians since early this year. Tens of thousands have been displaced, the memo adds. (Read "George Clooney's Eyes in the Sky Monitor the Sudan Situation.")

The ICC memo cites Clooney's satellites capturing images of the results of bombing of villages in the Abyei region in late May that resulted in the displacement of 30,000 people, as well as pictures of the movement of northern artillery and thousands of troops in Karmuk in Blue Nile State. The memo also discusses reports from the Enough Project about the deaths of 211 civilians in South Sudan and documenting the North dispatching proxy militias to the South.

The fact that the ICC is investigating Hussein's role in possible atrocities in the South does not necessarily mean he will face arrest for any actions there. The satellites have been snapping photos of the border region since late last year. On the news about a possible warrant for Hussein for his actions in Darfur, Prendergast said in a statement that Hussein is "part of a small cabal making most of the decisions on war strategy, not just in Darfur but also in the current hot spots of South Kordofan and Blue Nile. They are responsible for the forcible displacement of literally millions of Sudanese over the course of the last eight years."

South Sudan: Can a New Country Handle Its Returning Exiles?

Video: 10 Questions for George Clooney.

View this article on Time.com

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Source: http://us.rd.yahoo.com/dailynews/rss/space/*http%3A//news.yahoo.com/s/time/20111202/wl_time/08599210142500

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Sunday, December 4, 2011

Justin Bieber Tweets Encouragement To 'X Factor' Contestant

'Keep your head up,' Bieber wrote to eliminated teen Drew Ryniewicz.
By Gil Kaufman


Justin Bieber
Photo: Jeffrey Ufberg/ Getty Images

There was just no consoling weepy 15-year-old "X Factor" contestant Drew Ryniewicz on Thursday night when she was sent home in an double elimination episode. The quirky teen with the fluttery, dramatic voice was in tears for most of the episode and when her time came even usually unflappable mentor Simon Cowell seemed choked up with emotion.

But avowed Belieber Ryniewicz got some serious consolation less than an hour after her run on the show ended when none other than idol add link: Justin Bieber Tweeted out a message of support to the Chino Valley, Arizona high schooler.

"@drewryniewicz keep your head up," Bieber wrote to the fan who showed off her bedroom shrine to the Canadian pop star during her audition episode. "I lost my first competition too. This is just the beginning for u. Never say never. Best wishes." Though the departure from the show hurt — fellow teen rapper Astro was also sent packing — Ryniewicz tried to keep an upbeat attitude, following up Bieber's Tweet with her own message of hope. "Hey thank you for your love!," . "I'll miss the xfactor but have a lot more in stor for you all! Upbeat? Yes."

Because she's a teenage girl who auditioned for the show with an impassioned take on Bieber's "Baby," Drew couldn't help bragging a short time later, "Justin Bieber follows me now!" Good sport that she is, Drew also gave props to the remaining girls on Team Simon, Melanie Amaro and Rachel Crow, while accepting some positive vibes from Astro, remaining contestant Marcus Canty and former "American Idol" contestant Casey Abrams.

One of Cowell's favorites, Ryniewicz was done in by her piano-driven, seated take on Michael Jackson's "Billie Jean," which the show's other judges dinged for being too sleepy. While Cowell said that criticism was "absolute nonsense," fiercely defending his decision to have her sing another ballad — though Drew seemed to have wanted otherwise — on Thursday night he made a startling admission. "The reason Drew is in this position tonight is my fault," said Cowell, typically adverse to any second-guessing or display of weakness. "I take total responsibility. I genuinely believe you deserve a second chance. I'm begging these two [judges] to give her another chance."

But, alas, Cowell's fellow judges cast their votes against Drew and Cowell seemed ready to storm off the set, getting up from his chair with an angry look and taking the stage to console his charge while staring daggers at his fellow panelists and angrily ignoring host Steve Jones' requests for comment.

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Source: http://www.mtv.com/news/articles/1675267/x-factor-drew-justin-bieber.jhtml

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Saturday, December 3, 2011

Gaga: 'Marry' inspiration one of her 'worst days'

Lady Gaga is nothing if not a storyteller. And this particular musical yarn may be her best yet. At the very least, it's her most personal.

E! News not only has the exclusive premiere of Gaga's "Marry the Night" music video, but sat down with Mother Monster herself to get the artist's own take on this 13-minute autobiographical opus.

"It was one of the worst days of my life and it happened quite quickly, but in my mind, when I think back on that period of my life, it all happened very slow."

And now, Little Monsters, she's sharing that day with us all.

MORE: Check out E!'s exclusive premiere of Lady Gaga's "Marry the Night"!

Gaga explained that the video is a rendering of the day she thought she saw her dreams slipping away from her ? when she was dropped from her first label, Island Def Jam.

"It is my personal way of seeing things," she said. "If you give up after something like that, you were never destined to be an entertainer."

As for what, exactly, she means by "Marry the Night," loyal fans already know that it's a love song of sorts to New York City. But the video is more than that ? about marrying, as it were, your own personal obstacles.

"In order to be great writing music," or whatever else it is someone wants to do, she said, "you have to acknowledge what is wrong with your work, or what is dishonest about it. What have I not been really great at?"

We'll assume that's a rhetorical question, since we'd be hard-pressed to find any faults with Gaga's ever-growing oeuvre. So what does Gaga find to be her biggest obstacle?

MORE: Gaga launches foundation focusing on youth empowerment

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"I don't know, I don't have an answer to that question. I love the obstacles. To marry your obstacles mean I, the artist, wholeheartedly accept everything you throw at me, I am destined to struggle, I am destined to write music about the struggle, and I accept it willingly."

One thing that's obviously not an obstacle to this bare-all artiste is her well-toned bod, which gets some ample showing-off time in her new video. And not just skin for skin's sake; those dramatic, intense nude scenes, she says, were the most real.

"Well, I was naked in real life when it happened," she said, referring to the moment she found out she'd been dropped. "That's probably the most honest moment in that video of everything I've ever done. My directorial decision was for them to just f-----g roll the cameras, because I couldn't go in and out of the moment.

"I wonder if I will actually release that scene in its entirety ? it's about 30 minutes long."

As for the intense aesthetic of the video, Gaga said, "It was intensely important to me that it was not too beautiful. It was an incredible experience. It was amazing. It was absolutely amazing."

And as for her solo creative direction efforts? How'd that go?

MORE: Check out Gaga's take on the holidays!

Despite her recent amicable parting of ways with longtime collaborator Laurieann Gibson, it was creative business as usual on the shoot.

"I have always been the creative director, and the House of Gaga has always been the creative force behind what we've done. There really aren't many tremendous changes.

"I know it's my directorial debut, but I've really created everything I've ever done in my career. I really didn't do anything differently on this video that I didn't do on the 'Telephone' video or the 'Paparazzi' video or the 'Bad Romance' video.

"I hope my fans will take from this the progression that you have to trust yourself to make mistakes."

And not to take yourself too seriously.

MORE: Just how many Grammy noms did Gaga rack up?!

Intense though the video is, it isn't without its levity.

"I always believe that you walk the line of humor if you're being so incredibly serious," she explained. "There's something quite comical about the opening of the video, even though it's quite sinister and dark."

Indeed, the opening, nonmusical minutes of the video bring the laughs, some of which are even at the expense of ? gasp! ? fashion.

"It's meant to be comical," she said, adding that fashion serves as a metaphor in the video. And that the video itself serves as a window into the heart and mind of Gaga.

"In essence, it's insight into my entire creative process and the way that I view things."

Intrigued? You should be.

PHOTOS: Fashion Spotlight: Lady Gaga

? 2011 E! Entertainment Television, Inc. All Rights Reserved.

Source: http://today.msnbc.msn.com/id/45517647/ns/today-entertainment/

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Hurricane-force Santa Ana winds: Another sign of global warming? (The Christian Science Monitor)

Los Angeles ? The unseasonably strong Santa Ana winds that have pounded southern California during the past two days have left hundreds of thousands of residents without power, not to mention closed schools and businesses. Many counties are on emergency footing and even Griffith Park, one of the nation?s largest urban parks, has closed as crews struggle to clear fallen trees and debris away from power lines and off roads. 

But the extreme winds ? the strongest in at least a decade ? have also raised the familiar question: Are they one more indication of global warming's larger trend toward extreme weather?

The answer is no. Mostly. 

IN PICTURES: Santa Ana winds

On one hand, most scientists agree that ?the extremity and magnitude of extreme weather events has been trending upwards over the past 60 years,? says John Plavan, CEO of EarthRisk Technologies, a San Diego firm that models weather-related risks for energy clients.  

Yet the same climate changes that are driving certain extreme weather events will also soften others, says David Easterling of the National Climatic Data Center, a part of the National Oceanic and Atmospheric Administration in Asheville, N.C.

The Santa Ana winds could be an example of that. The annual winds that sweep through southern California from November through April are caused by high-pressure systems sweeping cool air from the Great Basin southwest into the Los Angeles Basin. As the winds descend the San Gabriel Mountains, they heat rapidly, resulting in the hot, strong winds. 

But as climate changes raise temperatures in the Great Basin, the engine driving the Santa Anas could dissipate, ?leading to less extreme Santa Anas in the future.?

In another 25 to 50 years, those winds will significantly decline, says Dr. Easterling.

But he is quick to point out that other extreme events tied to climate change ? such as heat waves and precipitation ? will accelerate. ?If you are in a flood-plain area, more insurance down the line might not be a bad idea,? he adds.

Extreme weather events are an important signal bell for the rest of society, even if they're not tied to climate change, says Villanova University assistant professor of geography and the environment Keith Henderson.

?Extreme events naturally attract a lot of attention, especially from the public,? he writes in an e-mail. ?The impact of extreme events, both real and perceived, makes it important that we study climate variability as much as climate change. We need to better understand the frequency, intensity, and patterns of extremes to better understand how weather and climate affect society.?

The need for longer-term forecasting models is growing, adds Mr. Plavan. While forecasting specific events is difficult, using decades of previous years' data can help project probabilities. 

For instance, if experts can produce data that show a city is 40 percent more likely to have a major heat wave over a certain time frame, Plavan says, ?then the city can plan from a longer-range perspective, rather than doing the equivalent of buying a snow shovel no matter the cost when the heavy snow starts to fall.? 

IN PICTURES: Santa Ana winds

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Source: http://us.rd.yahoo.com/dailynews/rss/science/*http%3A//news.yahoo.com/s/csm/20111202/ts_csm/432234

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Friday, December 2, 2011

UK spy agency asks hackers to crack code

In this picture taken of the cryptic website launched by GCHQ taken in London, Friday, Dec 2, 2011 show a code. Can you crack the code?That's the question Britain's electronic listening agency, GCHQ, is asking in an online campaign to find the next generation of cyber specialists. GCHQ quietly launched a cryptic website last month featuring a box of code made up of numbers and letters. There is no branding on the site, only the phrase "Can you crack it?"The agency has now revealed it is behind the campaign, and said Friday it's trying to reach individuals with "a keen interest in code breaking and ethical hacking" for careers at GCHQ.(AP Photo/Cassandra Vinograd)

In this picture taken of the cryptic website launched by GCHQ taken in London, Friday, Dec 2, 2011 show a code. Can you crack the code?That's the question Britain's electronic listening agency, GCHQ, is asking in an online campaign to find the next generation of cyber specialists. GCHQ quietly launched a cryptic website last month featuring a box of code made up of numbers and letters. There is no branding on the site, only the phrase "Can you crack it?"The agency has now revealed it is behind the campaign, and said Friday it's trying to reach individuals with "a keen interest in code breaking and ethical hacking" for careers at GCHQ.(AP Photo/Cassandra Vinograd)

(AP) ? Can you crack the code?

That's the question Britain's electronic listening agency, GCHQ, is asking in an online campaign to find the next generation of cyber specialists.

GCHQ quietly launched a cryptic website last month featuring a box of code made up of numbers and letters. There is no branding on the site, only the phrase "Can you crack it?"

The agency has now revealed it is behind the campaign, and said Friday it's trying to reach individuals with "a keen interest in code breaking and ethical hacking" for careers at GCHQ.

"It's to arouse interest in people who perhaps might not be caught by our normal recruitment campaigns," a GCHQ spokesman said, speaking on customary condition of anonymity.

Cracking the code reveals a keyword, which when entered into a space on the website prompts the GCHQ job-recruitment website to appear.

The agency is currently recruiting for cyber security specialists ? at a pay grade of around 25,000 pounds ($39,000) ? and hopes to recruit around 35 people over the next few months, the spokesman said.

More than 50 people have successfully cracked the code so far ? of which 80 percent have submitted an application, the spokesman said.

GCHQ said the fast-moving pace of the digital arena and cybersecurity means it must find new ways to engage with prospective candidates, who typically have entered the agency as graduates.

"With the threats to information and computer technology constantly evolving, it is essential that GCHQ allows candidates who may be self taught, but have a keen interest in code breaking and ethical hacking, to enter the recruitment route too," it said in a statement.

But career hackers beware: "Anyone applying who has hacked illegally will not be eligible to continue in the recruitment process," GCHQ warned.

And gaming the website isn't a guarantee for joining GCHQ's ranks. The spokesman said that while anyone who cracks the code likely has an aptitude for GCHQ's type of work, it won't catapult code-crackers ahead of other job applicants automatically.

The agency said it has been using social media to get the word out and that the site has attracted about 8,000 hits.

___

Online:

http://www.canyoucrackit.co.uk/

_________

Cassandra Vinograd can be reached at http://twitter.com/CassVinograd

Associated Press

Source: http://hosted2.ap.org/APDEFAULT/495d344a0d10421e9baa8ee77029cfbd/Article_2011-12-02-EU-Britain-Spy-Games/id-58d3fda41aa44c649b03b2f91ab603d7

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UK media inquiry a lesson in tabloid skullduggery (AP)

LONDON ? Hacking into celebrity phones was just the sleazy tip of the iceberg.

Britain's media ethics inquiry, set up in response to illegal eavesdropping by a Rupert Murdoch-owned tabloid, has turned out to be a masterclass in skullduggery that has exposed the murky practices of the U.K.'s muckraking press.

This week, witnesses described how Murdoch's company had destroyed their lives and that of their families, with reporters targeting critics for spying and negative coverage, and sullying the name of an innocent man.

"We have a press that has just become frankly putrid in many of its elements," Alastair Campbell, former tabloid journalist and longtime communications aide to former Prime Minister Tony Blair, told the tribunal this week.

Few would disagree after listening to the nationally televised testimony describing the excesses of a callous, sometimes criminal, press.

The judge-led inquiry was set up after it emerged that Murdoch's News of the World had for years illegally eavesdropped on the voicemail messages of celebrities, public figures and crime victims. The scandal forced Murdoch to shut down the 168-year-old tabloid. A dozen Murdoch employees have been arrested in the case, which also cost the jobs of several of his top executives, two senior police officers and Prime Minister David Cameron's communications chief.

The inquiry has put Murdoch's empire on trial, as witnesses described their treatment at the hands of an organization they viewed as unassailably powerful, ruthless and feared.

Former child singing sensation Charlotte Church described how she was invited to perform at Murdoch's wedding on a yacht in New York when she was 13. She said she was offered a 100,000 pound (roughly $160,000) payment, but was told if she waived the fee that Murdoch's papers would look favorably on her.

Church, now 25, told the inquiry that she really wanted to take the money, but was told by her managers it would be worthwhile to give up the fee ? which would have been her highest payment ever then ? to cultivate Murdoch's support.

She said she was told "that he was a very, very powerful man" who could do her career a world of good ? if he wanted to.

But any tabloid goodwill she earned was short-lived. Church said media scrutiny increased to unbearable levels as she entered her teens. As she approached her 16th birthday, she said Murdoch's The Sun tabloid featured on its website a "countdown clock" timed to the day when she would be able to legally have sex ? an allegation the newspaper denies.

Later, a tabloid reported that Church was pregnant before she had even told her parents, news she felt had to come from reporters hacking into her phone. On another occasion the News of the World reported on her father's extramarital affair under the headline "Church's three in a bed cocaine shock." Church said her mother had attempted suicide partly as a result of this invasion of privacy.

Murdoch's News International has denied Church's version of events surrounding her performance at Murdoch's wedding, and her agent at the time, Jonathan Shalit, said she was not offered a choice between a fee and good press.

He said Church was not offered a fee and performed for free, as she had done for Prince Charles and President Bill Clinton. But he said publicity from these appearances helped launch her career in the United States, which was his plan.

"When you sing for these people you get added benefits for your career," he said.

Church was one of a slew of celebrities, including actor Hugh Grant, "Harry Potter" author J.K. Rowling and actress Sienna Miller, who have sat in the witness box at London's Royal Courts of Justice and described stakeouts and snatched photos, leaked medical details and midnight pursuits ? all justified, in the tabloids' eyes, because the people they were pursuing were famous.

Ian Hargreaves, professor of digital economy and former director of the journalism school at the University of Cardiff, said the hearings have had a profound impact on the public psyche ? and on Britain's political class ? by revealing so much about how part of British press works.

"It's been a process of revelation, based on firsthand testimony," he said. "A lot of journalists feel it has been one-sided, but processes that have been known about and talked about in private are suddenly being talked about on a big public stage."

Hearings continue into the new year, and justice Brian Leveson and his panel hope to issue a report by late 2012 that could recommend major changes to Britain's system of media self-regulation.

So far, the most strident defense of tabloids ? and the week's most jaw-dropping testimony ? came from unrepentant former News of the World journalist Paul McMullan. He described chasing celebrities' cars as "good fun," called phone hacking "a perfectly acceptable tool" of the trade and dismissed privacy as "the space bad people need to do bad things in."

He also said celebrities should stop complaining and be grateful for the attention of paparazzi.

The inquiry has also shown that it's not just celebrities who find themselves in the tabloids' sights. The parents of 13-year-old Milly Dowler, who was abducted and murdered in 2002, described how the News of the World's hacking of Milly's phone, and the deletion of voicemail messages, had given them false hope that their daughter was still alive.

This week Christopher Jefferies, a retired teacher arrested on suspicion of murder in a high-profile case a year ago, described how his life had been wrecked by "smears, innuendo and complete fiction" in articles that painted him as a voyeuristic eccentric, or worse.

Jefferies was released without charge, and another man has been convicted of the killing. Jefferies successfully sued eight newspapers ? including Murdoch's The Sun tabloid ? for libel, but said he would "never fully recover from the events of the last year."

"There will always be people who don't know me who will retain the impression that I'm some sort of weird character who is probably best avoided," he said.

The inquiry has also heard claims the Murdoch empire used negative articles and even espionage against its critics. Former TV host Anne Diamond recounted how she had asked Murdoch during a 1980s interview "how could he sleep at night" knowing his newspapers ruined people's lives.

She said after that "there were consistent negative stories about me in Mr. Murdoch's newspapers."

One glaring example was a story in The Sun headlined "Anne Diamond killed my father," about a fatal road accident she had been involved in years before. The same newspaper took pictures of Diamond carrying the coffin of her infant son at his funeral, despite her plea for the press to stay away out of respect for the family's grief.

Mark Lewis, a lawyer who has represented high-profile hacking victims, testified that he was put under surveillance by a private investigator working for Murdoch's News International. The surveillance, apparently in search of material to discredit him, included following and filming his 14-year-old daughter.

"That was truly horrific, that my daughter was videoed, was followed by a detective with a camera," Lewis said. "That shouldn't happen to anybody's child."

___

Associated Press writer Robert Barr contributed to this report.

Online: http://www.levesoninquiry.org.uk

Jill Lawless can be reached at: http://twitter.com/JillLawless

Source: http://us.rd.yahoo.com/dailynews/rss/entertainment/*http%3A//news.yahoo.com/s/ap/20111202/ap_en_ot/eu_britain_phone_hacking

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